By Kyle West

Within the 12 months 2030, the meteor Ragnarok impacted Earth, rending the realm a wilderness. Billions died, the sky went purple, and the area entered an ice age from which it's going to now not emerge for centuries.

By 2060, what's left of the U.S. exists underground within the Bunkers. the place as soon as there have been a hundred and forty four, now merely 4 are left - fallen for purposes of hunger, uprising, or worse. For within the wake of Ragnarok are new and sinister threats, threats which don't but have a name...

Born into this post-apocalyptic international is sixteen-year-old Alex Keener, who has lived his complete lifestyles underground in U.S. Bunker 108. but if a stranger is permit into the Bunker from the wastes, in defiance of protocol, all hell breaks loose...and Alex's existence isn't similar again

Apocalypse is the 1st publication in seven half sequence. the following books, Origins and Evolution, are already released. publication 4, Revelation, should be out 9/30/2013.

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Additional resources for Apocalypse (The Wasteland Chronicles, Book 1)

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Fred has also been named Employee 38 ■ BLACK HOUSE of the Year three years out of the last four (two years ago Ted Goltz gave the award to Otto Eisman, just to break the monotony), and when he is on the job no one radiates more charm, personality, or all around niceness. You wanted nice? Ladies and gentlemen, presenting Fred Marshall! Only now his confident smile is not in evidence, and his hair, always carefully combed on the job, hasn’t yet seen the brush. He’s wearing Nike shorts and a tee with cutoff sleeves instead of his usual pressed khakis and sport shirt.

Fred blinked, wondering how in the name of God she’d gotten there so damned fast. ) And then? Then Judy slapped Young and Heavyset’s arm! Whack, right on the meaty bicep she slapped him, leaving a white palm print on the sunburned freckled flesh below the sleeve of the guy’s torn blue T-shirt. Fred saw it but couldn’t believe it. 44 ■ BLACK HOUSE Quit it! Judy shouted up into Young and Heavyset’s surprised, beginning-to-be-bewildered face. Put it down, quit it! Don’t be dumb! You want to go to jail over seven hundred dollars’ worth of bodywork?

A tremendous mystery has inhabited this hovel, and its effects and traces hover everywhere about us. We have come to observe, register, and record the impressions, the afterimages, left in the comet trail of the mystery. It speaks from their details, therefore it lingers in its own wake, therefore it surrounds us. A deep, deep gravity flows outward from the scene, and this gravity humbles us. Humility is our best, most accurate first response. Without it, we would miss the point; the great mystery would escape us, and we would go on deaf and blind, ignorant as pigs.

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