By Coleman Hutchison

Apples and Ashes bargains the 1st literary background of the Civil conflict South. The made of huge archival examine, it tells an expansive tale a couple of country suffering to write down itself into life. accomplice literature was once in intimate dialog with different modern literary cultures, specifically these of the us and Britain. hence, Coleman Hutchison argues, it has profound implications for our figuring out of yank literary nationalism and the connection among literature and nationalism extra broadly.

Apples and Ashes is geared up via style, with each one bankruptcy utilizing a unmarried textual content or a small set of texts to limn a broader element of accomplice literary tradition. Hutchison discusses an understudied and numerous archive of literary texts together with the literary feedback of Edgar Allan Poe; southern responses to Uncle Tom’s Cabin; the novels of Augusta Jane Evans; accomplice well known poetry; the de facto accomplice nationwide anthem, “Dixie”; and several other postwar southern memoirs. as well as emphasizing the centrality of slavery to the accomplice literary mind's eye, the ebook additionally considers a sequence of novel issues: the reprinting of eu novels within the accomplice South, together with Charles Dickens’s Great Expectations and Victor Hugo’s Les Misérables; accomplice propaganda in Europe; and postwar accomplice emigration to Latin America.

In discussing literary feedback, fiction, poetry, renowned track, and memoir, Apples and Ashes reminds us of accomplice literature’s once-great expectancies. prior to their defeat and abjection—before apples became to ashes of their mouths—many Confederates idea they have been within the technique of making a country and a countrywide literature that will endure.

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Additional info for Apples and Ashes: Literature, Nationalism, and the Confederate States of America

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With no small amount of hyperbole, Poe renders this American novel, written by an eminent American littérateur, not merely bad literature but also an affront to the American reading public. To give Poe’s withering criticism of Norman Leslie some context, the very next review in the December issue addressed The Linwoods, a new novel by Catharine Maria Sedgwick. Poe feels much more comfortable entrusting “the good people of America” to “Miss Sedgwick,” whom he believes is “fully deserving of all the popularity she has attained” (57).

This chapter reads one of the most idiosyncratic of Confederate memoirs, The Woman in Battle (1876), an account of the chaotic life and times of Loreta Janeta Velazquez, a Cubanborn, cross-dressing Confederate sympathizer, soldier, and spy. I argue that the Velazquez narrative is a restless text, one that remaps the American Civil War within a global system of immigration, foreign intervention, and transnational capital and imagines a Confederacy in and of the world. In doing so, I also consider one of Velazquez’s fellow travelers, the Swiss-born editor, writer, and propagandist Henry Hotze, who worked tirelessly to win European hearts and minds to the southern cause via a nascent Confederate literature.

17 Yet Poe and the Messenger did find an audience, with the Norman Leslie jeremiad garnering a great deal of contemporary attention. The furor over Poe’s review took hold immediately: The January 1836 number of the Messenger concluded with a remarkable eight- page, two-column “Supplement” 34 Chapter One that attested to the review’s fame. The supplement opens with a “Publisher’s Notice”: “We are very proud in being able to afford our friends so many and so great evidences of the Messenger’s popularity” (2: 133).

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